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Say what you want about producer/director William Castle (The Tingler, 13 Ghosts, Mr. Sardonicus) but one thing was for positive…he knew how to beget seats in a movie theater, primarily by forcing some sort of pronounce interaction between the audience and the film (at least in his dismay themed features) . In House on Unnerved Hill (1959), he utilized a technique he called `Emergo’, which essentially featured a skeleton, suspended from wires, coming from the hide towards the audience during a specific portion of the movie, the intent being to fear the pants off those in the theater. From what I’ve heard, it didn’t sound like many were horrified, but it didn’t really matter as Castle was a master at selling the sizzle, rather than the steak, as they say, and audiences flocked to his films…produced and directed by William Castle, the film features the merchant of menace himself Vincent Stamp (The Glide, The Tingler, House of Usher) in the first of two films he made with Castle. Also appearing is Elisha Cook Jr. (Shane, The Afraid Palace), Carolyn Craig (Giant), Richard Long (Ma and Pa Kettle), Carol `homina homina’ Ohmart (Spider Baby), Alan Marshal (The Hunchback of Notre Dame), and Julie Mitchum (Edge of Hell), sister of actor Robert Mitchum.
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Price plays Frederick Loren, an eccentric millionaire who, along with his wife Annabelle (Ohmart), has thrown together an sharp petite party racy five, seemingly random strangers gathering at a stupefied house with ten thousand dollars to each who dare cease through the night. In attendance, along with Frederick and his wife, is Watson Pritchard (Cook), whose brother, one of the previous owners, was murdered within the house, Lance Schroeder (Long), a test pilot, Dr. David Trent (Marshal), a psychiatrist, Nora Manning (Craig), a typist, and Ruth Bridgers (Mitchum), a newspaper columnist. Seems all have agreed to play Frederick’s puny game for one reason, they need the dough, and if some crazy rich dude is willing to fragment with his green for such a seemingly easy task, what the hay, true? Well, the guests advance, introductions are made, and Frederick gives them the plump lowdown. The secluded house is like a fortress (steel doors and bars on the windows) in that once they’re locked in (at midnight, to be proper), there’s no getting out until the caretakers come the next morning. Also, there’s no electricity or telephones, and the nearest neighbors are well beyond yelling distance. After a tour of the house, highlighting where various unpleasant events occurred (including a visit to the acid vat in the cellar…man, this residence has everything), a few drinks, and some scares (the ghosts seem to have a thing for Nora), Fredrick passes out some party favors in the develop of loaded handguns (nothing like being drunk and armed), not that they’d do anyone great beneficial if there are ghosts out and about…anyway, midnight is coming so if anyone wants to carve out of this ghoulish accept together, they’d better acquire while the getting’s obliging…
While not my common Castle feature (that goes to The Tingler), House on Horrified Hill is detached a hoot and a half for all of its campy, good-natured fun. The one thing this film has going for it, above and beyond everything else, is Vincent Tag. No matter how bad the feature was (which wasn’t the case here), Ticket always brought with him a genuine sense of class and sophistication to the proceedings, especially proper of the number of Poe based films he and Roger Corman made throughout the 1960s for American International Pictures. The absolute best parts of this movie for me occur early on as Price’s character is interacting with his wife, and we sight the pair have an moving hate/hate relationship…here’s an example of their often evil and insinuating banter they select in unhurried closed doors…
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Fredrick: Of all my wives you’re least qualified…
Annabelle: But collected alive.
Here’s another bit…
Frederick: Do you remember the fun we had when you poisoned me?
Annabelle: Something you ate, the doctor said.
Frederick: Yes, arsenic on the rocks…
There are a few more obliging exchanges between Effect and Ohmart, salubrious alone of seeing this film. As for the rest of the performers, I had no exact complaints. Elisha Cook Jr.’s character did salvage on my nerves after awhile, with his constant dour outlook punctuated by his persistent `doom and gloom’ predictions. Drink some more booze, you rummy…seriously, all this guy did was talk about how the ghosts were going to near and grasp them all away. Perhaps this attitude was assisted by his excessive alcohol intake, but really, what’s the point of accepting an invitation to expend a night at a house you have you won’t approach out of alive? The money? Won’t do you powerful apt if’n you’re monotonous, fool. If I was in that house I probably would have shot him unbiased to be rid of him. At least I learned one thing…never invite Elisha Cook Jr. to your party and ply him with lots of booze as he’ll turn into a trusty poison pill. I did like Ms. Ohmart, and not unbiased because she was a smoking babe with a gigantic rack, but because she held her enjoy with Sign, even if it was for objective a handful of scenes. If you’ve got a hankering to peep more of her, and you like ookie fright features, you should really check out another film she appeared in called Spider Baby (1968), featuring Lon Chaney Jr. There are a few, minor scares scattered throughout the film (a crusty crone, a disembodied head or two), but nothing that will compose you soil yourself…some scenes will build you snicker, though, like the one where Pritchard chucks a dreary rat into the acid vat, if only to expose the acid is really acid. After some bubbling effects, a fully articulated rat skeleton bobs to the surface, indicating to those watching it truly is the precise deal. Yes sir, that be some remarkable acid…the movie may not be remarkable for scares, but it does have plenty of atmosphere created by Castle’s direction, groovy, cobweb laden space pieces, spooky music, and usage of the Ennis Brown House in Los Angeles, designed by Frank Lloyd Wright, for the exterior shots.
It seems this film has fallen into the public domain (i.e. the copyright expired), as I witness there are a number of DVD releases by various companies. I can’t issue for those other releases, but the one I beget, set out by Warner Brothers (it has a stout headshot of Label in the lower factual hand corner and Ohmart in a nightgown being menaced by a disfigured hand in the upper left), looks exceptionally top-notch, and features both the fullscreen and widescreen formats, along with a great Dolby Digital mono audio track. The only extras included are a theatrical trailer for the film and subtitles in both English and French.
Cookieman108
By the arrangement, this movie saw a remake of the same titled, released in 1999, oozing with high tech special effects. It was decent enough, but I composed liked the unique better.
William Castle at his gimmicky best! A Classic, spooky Sunless and White, with deliciously devilish Vincent Note as millionaire with a bored gold-digger wife. She wants a Halloween party with her friends, Notice tosses a party all good, but not with the people of her choosing. He offers $10,000 dollars to five stranger if they will join him and his wife in spending Halloween night in a truly petrified house. One of the 5 is a young Elisha Cooke, family of the feeble owners who died in the house, and he leads them on a slay tour. To jazz things up, Designate passes out “party favors” - guns. And it’s a hasten to fetch out whether Tag of his wife will be the last one standing. This movie is a grandfather of nearly every clichés, blooding dripping from the ceiling, shadowy mysterious corridors, a witchy woman floating around and vanishing - and the topper that organ music!! This is more like a Halloween Fun house bolt than a movie! Impress is campy and has grand fun with the role, with smart lines, especially when fussing with his less than contented wife.
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Castle originally devised this movie with “special touches” for the audiences, like ghost on wires gloating through the audience of people in costume sitting down beside you to enhance the fun house feel.
Just stupid fun and a wee trek down memory lane.
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